“REVELATION” SHOT LIST
Group Name: Enigma (Nicholas Thetford, Aimée Wynn)
Characters: Ben (played by Nicholas Thetford), Benjamin
(played by Nicholas Thetford), Kate (played by Aimée Wynn), Detective
Reeves (played by Tom Webb), Kaitlin (played
by Aimée Wynn)
Shot
|
Shot
Description
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1
[LOCATION: Ben, Benjamin and Kate’s shared house –
day time 5/6pm]
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Mid-Shot of Benjamin (the clone of Ben)
sat on his house’s sofa reaching forward for the television remote
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2
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[Cut transition] Match-on-action, slightly High-Angle,
Close-up Shot of Benjamin
picking up the television remote and turning the television on
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3
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[Cut transition] Match-on-action, Mid-Shot of Benjamin pulling away from the television remote
to resume his original sitting position
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4
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[Cut transition] Close-up Shot of Benjamin’s
straight face as he watches the television
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5
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[Cut transition]
Extreme Close-up of Benjamin’s
‘QR Code’ on his neck
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6
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[Cut transition] Mid-Shot of Benjamin
sitting on his house’s sofa, like the first shot, as Ben
walks into the living room with a bowl of popcorn in his hands and sits down
next to Benjamin
[Fades out to black transition]
|
7
[LOCATION: Ben, Benjamin and Kate’s shared house –
night time 7/8pm]
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[Cut transition from black] Mid, Two
Shot of Ben and Kate in the kitchen, putting away washed up
plates, cutlery, etc.
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8
[LOCATION: Ben, Benjamin and Kate’s shared house –
night time 1am]
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[Cut transition] Slowly Tracking, Close-up Shot of a limp hand and arm on a floor
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9
[LOCATION: Ben, Benjamin and Kate’s shared house –
night time 7/8pm]
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[Cut transition] Mid Shot of Ben (camera
on the kitchen counter)
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10
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[Cut transition] Close-up Shot of cutlery
draw being slammed shut by Kate
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11
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[Cut transition] Mid Shot of Kate (camera
on the kitchen counter)
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12
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[Cut transition] Mid Shot of Ben
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13
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[Cut transition] Mid Shot of Kate
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14
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[Cut transition] Mid Shot of Ben
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15
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[Cut transition] Mid Shot of Kate
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16
[LOCATION: Ben, Benjamin and Kate’s shared house –
night time 7/8pm]
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[Cross Dissolve transition] Close-up
Shot of Kaitlin’s (the clone
of Kate) neck and chin (somewhat concealed identity)
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17
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[Cut transition] Extreme, Close-up Shot of
Kaitlin’s furrowing eyebrows and squinting
eyes to convey anger
[Fades out to black transition]
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18
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[Fade in from black transition] Long Shot
of Ben putting on a jacket, leaving the
house and slamming the door behind him
|
19
[LOCATION: of local pub – night time 9pm]
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[Cut transition on sound] Establishing
Shot of a local pub
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20
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[Cross Dissolve transition] Shallow Focus,
Close-up Shot of grabbing a Jack Daniel’s bottle [edited to be slow motion]
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21
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[Cross Dissolve transition] Shallow
Focus, Extreme Close-up Shot of the
unscrewing of the Jack Daniel’s bottle
[edited to
be slow motion]
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22
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[Cross Dissolve transition] Shallow
Focus, Close-up Shot of the Jack
Daniel’s being poured into a glass
[edited to
be slow motion]
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23
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[Cross Dissolve transition] Shallow
Focus, Slow Motion, Close-up Shot of
the Jack Daniel’s bottle being placed back down
[edited to
be slow motion]
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24
[LOCATION: Ben, Benjamin and Kate’s shared house –
day time 9/10am]
|
[Cut transition on contact] Extreme Close-up
Shot of house keys hitting the
floor
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25
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[Cut transition] Long Shot of Ben standing
over Kate’s dead body
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26
[LOCATION: local park – day time 8/9am]
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[Cut transition] Medium Shot of Ben waking up
in his car, covered in blood
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27
[LOCATION: Ben, Benjamin and Kate’s shared house –
day time 9/10am]
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[Cut transition] Long Shot of Ben and Benjamin having an argument on the landing
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28
[LOCATION: local, police station – day time 10/11am]
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[Cut transition] Establishing Shot of local, police station
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29
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[Cut transition] Long Shot of police,
investigation board (1)
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30
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[Cut transition] Medium Shot of police,
investigation board (2)
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31
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[Cut transition] Close-up Shot of police,
investigation board (3)
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32
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[Cut transition] Long, Mid & Close-up Shots
(multiple shots overlaid each other –
some clips Tracking and moving and glitching video effects used) of police, investigation board (4)
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33
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[Cross Dissolve transition] Low-Angle,
Mid Shot of the Detective Reeves
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34
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[Cut transition] Mid Shot of Ben side on
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35
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[Cut transition] Mid Shot of Benjamin side on
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36
[LOCATION: Ben, Benjamin and Kate’s shared house –
night time 7/8pm]
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[Cut transition] Forward, Slowly Tracking Shot
down a dark hallway, seeing into the kitchen where Ben
and Kate are having an argument
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37
[LOCATION: Ben, Benjamin and Kate’s shared house –
night time 1am]
|
[Cut transition] Close-up Shot of blood
pooling around the top of Kate’s head
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38
[LOCATION: Ben, Benjamin and Kate’s shared house –
night time 9pm]
|
[Cut transition] Low-Angle, Close-up Shot
of door handle as the door slams
|
39
[LOCATION: Ben, Benjamin and Kate’s shared house –
night time 1am]
|
[Cut transition] Close-up Shot of blood covering Kate’s
head (Kate’s dead face is visible)
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40
[LOCATION: local church – day time 12/1pm]
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[Cut transition] Medium Shot of Ben running through a church yard
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41
[LOCATION: local park – day time 8/9am]
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[Cut transition] Low-Level Shot of Ben’s shoed feet running through the local park
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42
[night time]
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[Cut transition] Close-up Shot of an arm
hand-cuffed to a radiator
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43
[LOCATION: local, police station – day time 10/11am]
[Shot is
transitioned – at a very fast pace - to and from several times]
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[Cut transition] Mid Shot of Ben side on
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44
[LOCATION: local, police station – day time 10/11am]
[Shot is
transitioned – at a very fast pace - to and from several times]
|
[Cut transition] Mid Shot of Benjamin
side on
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45
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[Cut transition] Mid Shot of Detective Reeves lashing out
[Cut to black transition]
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46
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[Fading in from black transition] Close-up
Shot of blue, flashing, police
lights (once the lights have fully transitioned into shot, the title of the
film spin transitions, into shot, with the light)
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47
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[Cross Dissolve transition] Centred typography – film’s release date (features
over/on top of the police lights – the lights are slowly starting to fade
out transition)
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48
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[Cut transition] Centred typography – film’s main credits (e.g. distributor, film
production company, main cast, etc.)
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49
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[Cut transition] Centred typography – film’s distributor, film production company,
social media’s logos and the film’s website address
[Cut to black transition]
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Creative and detailed film planning work, you have varied shots and some super ideas here, well done.
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